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Record number of visitors to the final exhibition - End spurt to the opening of the Deutsche Bank KunstHalle
Imran Qureshi: Celebration in Lahore
"Formica Touched It Off" - On the Death of Richard Artschwager
Deutsche Bank Celebrates Collaboration with the Solomon R. Guggenheim Foundation
Polish Contemporary Art at Museum Morsbroich
International Artists at the Villa Romana
Art on Wheels - The Vochol at the ArtSpace of Deutsche Bank in Frankfurt
Second-hand images - Joachim Schmid at the Museo di Fotografia Contemporanea
Art and Diplomacy - Hillary Rodham Clinton Awards Artists from the Deutsche Bank Collection
In spring of 2013 the "Deutsche Bank KunstHalle" opens in Berlin with the "Artist of the Year" Imran Quereshi
Poetry and Politics - Yto Barrada at Fotomuseum Winterthur
Look at Me! Schirn Explores the Private Sphere


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Poetry and Politics
Yto Barrada at Fotomuseum Winterthur

For more than a decade, Yto Barrada has engaged with the social realities of her home city Tangier in poetic and politically involved photo and film works. As Deutsche Bank’s “Artist of the Year” 2011, Barrada realized the exhibition Riffs at the Deutsche Guggenheim, presenting her work to a wide public in Germany for the first time. After the premiere in Berlin, the exhibition moved on to WIELS in Brussels, Renaissance Society in Chicago, IKON Gallery in Birmingham, and Museo d'arte contemporanea Roma (MACRO). Now the exhibition tour is ending in Fotomuseum Winterthur. Since it was founded in 1993, the museum has developed into one of the most renowned forums for photography in Europe. In addition to historical positions such as Eugène Atget and Edward Weston, as well as thematic exhibitions, it primarily shows contemporary photographers and artists. Solo exhibitions have been devoted to William Eggleston, Nan Goldin, Andreas Gursky, and Roni Horn. In January 2012, the museum initiated the blog Still Searching, a platform for international experts and artists who write about various aspects of the medium of photography. Users can comment on their contributions, spawning lively discussions.

Yto Barrada (who was born in 1971) views herself as a chronicler of current developments in the city in which she lives. “My nervous system is linked to this place,” she has said. Tangiers was a place of longing for literati such as Paul Bowles, Truman Capote, and William S. Burroughs. Subsequently the high society discovered the charms of the “white city,” and at the end of the sixties hippies flocked to the Moroccan metropolis to fuel their oriental fantasies. Today, Tangier is being conquered by tourists and international investors. The city is expanding. Old buildings and fallow land are disappearing, and new building complexes are vanquishing the countryside. But while droves of tourists are heading south to the country, Moroccans’ path to the north, to the EU, is blocked. Barrada reacts to this contradictory situation in her works, but without polemical hyperbole. She observes things with tranquility and respect. Her nearly static square color photographs afford views of people, situations, landscapes, houses – of a place whose residents seem to be trapped in a state of permanent waiting. Both real and allegorical, Barrada’s works ask us to take a closer look.

Yto Barrada – Riffs
Fotomuseum Winterthur

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"In difficult situations art can be really powerful" - The "Artist of the Year," Imran Qureshi, in an interview / Auratic Cabinet of Curiosities - Rosemarie Trockel's Art Cosmos at the New Museum / Viaggio in Italia - Photography in the Deutsche Bank Collection in Milan / "Disguising the Obvious" - Amy Cutler's Enigmatic Drawings / Imran Qureshi, Deutsche Bank´s “Artist of the Year” 2013 / "If everyone likes it, then I´ve done something wrong." - Anselm Reyle at Deichtorhallen in Hamburg
On View
“Saxony – Works from the Deutsche Bank Collection” at the Museum der bildenden Künste Leipzig / Pigments, Wax, Steel - Anish Kapoor at the MCA in Sydney / Originality and a Radical Desire to Experiment - Visions of Modernity at the Deutsche Guggenheim / New. New York - Art from Brooklyn at the Essl Museum
"A Success Story" - The Press on the Deutsche Guggenheim's Farewell Exhibition and on the New "Deutsche Bank KunstHalle"
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